REVIEW QUOTES
This
flamenco library has four accordions (one of them a bandoleon), three guitars,
percussion, cimbalo, flamenco percussion and two flamenco dancers, trombone, and
a wonderfully over-the-top gypsy violin. That violin is probably the most
high-profile instrument in this library, with its big, rich sound. The Master
program brings up a large variety of keyswitched articulations (24 if anyone's
counting), plus there's a legato auto-sensing program; turn up the mod wheel,
and instead of playing connected notes in one bow, you'll bring in some serious
portmento, the kind that's absolutely essential for a hammed-up gypsy violin
part. This instrument is a lot of fun if you cheese it up, but it works well for
other kinds of music as well. It might be miked a little close-up for classical,
but you can move it back by adding some reverb. And the close-up sound is just
right for a gypsy violin, plus the default EW Fat Hall sounds really good on it.
The trombone is another highlight, and it's also quite versatile. Its Master
program has eight different articulations, and its legato program has real
recorded slides between notes. One of the keyswitches brings in blatty tones ("farty"
in the manual), which lets it work well in all kinds of contexts. The accordians
are all really good and full of character, with air in and out samples, and lots
of other goodies. They can sound remarkably real. Gypsy's flamenco guitar has a
lot of characteristic strums and noises recorded and assigned to keyswitches—taps,
tremolo, etc. For the most part they want to be overdubbed and turned down,
because they're at the same level as the notes. The Django guitar has several
chord types assigned to keyswitches, and it makes it easy to create surprisingly
Django-like parts. Then there's a Spanish steel guitar, the percussion and
flamenco dances, a cimbalom…and finally what for me personally is the hit of all
four libraries: the classical guitar. That instrument is absolutely lovely, and
the programming is excellent. Between the velocity layers, auto-round robin
samples, release samples, and above all the overall sound, it's a real joy to
play. I personally would find Gypsy worth the price just for that instrument,
but it has a lot of other great stuff too.
—
VIRTUAL INSTRUMENT MAGAZINE
EastWest has recently come out with a handful of sample libraries using their
new 64-bit Play engine. I was assigned Gypsy, a collection of Mid-Eastern and
European instruments. From what I've experienced so far, it is a remarkable tool
with extremely high production values, an attention to detail, and an even
greater consideration to the end-user experience. In the box is two DVD's. Yet
on those two DVD's are some exquisitely captured instruments, an intuitive
interface and implementations, and a robust, powerful playback engine, aptly
titled PLAY. So you get 11GBs of ethnic guitars, accordions, trombones, rare
percussion, and just about the best sampled violin and violin performance you'll
find anywhere. The 64-bit PLAY engine really brings these recordings to life by
not simply reproducing the recording, but truly reproducing the performance.
They do this by a very intuitive articulation implementation and appropriate
parameters to tweak such as reverb types (several real world convolution based
settings), ADSR of course, other filters and delays to create exactly the sound
you are looking to capture. About the articulation implementation: Very nice.
Initially, it's hard to describe because…well, you'd expect it to be a lot more
complicated to evoke the exact performance you want. Intuitive is definitely the
word. I don't want to overuse the term, but "intuitive" to me is something that
works the way you expect it to, and works well. Typically, playing any of these
instruments at default settings is just amazing, you almost don't want to mess
with the settings too much because the presets are great. The PLAY engine really
captures how you play and adapts it to that instrument. Guitars, for instance
have a second sampled note when the same note is played again to differentiate
between the first and second strum. This simple idea really opens up the world
of MIDI-based guitar at least for me, and will save me a ton of editing time
when playing in some guitar lines in the future. Also for bowed instruments we
have superb legato detection. Running notes into each other, the engine detects
and keeps the initial "bow" of the first note and slides the other notes in if
you so choose and can then change playing style with a simple key switched
mapped to the keyboard. On the interface itself is a representation of all the
articulations available to a particular instrument and what key that switch may
be mapped. Double that with on-screen key switch highlighting, and it seems like
you can never be lost, or want of directions on what does what or why. In a
word, intuitive! Really, when looking at the product, was there anywhere else to
go? I listen to a ton of soundtracks and work as an audio engineer, so I can
spot samples versus true performance regardless of recording techniques,
usually. Save for a few instruments in certain key ranges, the performances here
are impeccable. When you pair this up with the top-notch PLAY engine, you get an
unbeatable duo. There is some true character represented in Gypsy, one that I
think a lot of musicians will want to inject into their compositions. Even more
than that, I'm always enthralled when something inspires me to create, which is
what I believe this library does beautifully. —
MUSIC4GAMES
QUANTUM
LEAP GYPSYstrong> features a
collection of extremely detailed Gypsy style virtual instruments capable of
playing completely realistic performances. Gypsy is essential for film, TV and
game composers.
The
nylon string guitar, violin and trombone can
play in both Gypsy and Classical styles. In the classical realm these three
instruments are unparalleled in the sampling world in terms of playability,
diversity and sound quality.
The new
king of sampled violins has arrived. ThThe
violin and trombone feature many articulations, repetitions and even true legato
intervals. All of the guitars were sampled with up and down strokes, many
velocities and picking styles, release trails, chords and effects.
GYPSY's guitars sound
incredible and were played by one of the best session guitarists in Los Angeles,
David Kole.
The
accordions feature many
different setups, all with air flow in and out samples, as well as expressive
samples, chords, and left hand bass.
GYPSY also has a very cool GYPSY
percussion program and two
flamenco dancers (foot
stomps, as well as traditional castanets).
GYPSY also features an incredible bandoneon
and cimbalom, two very rare
instruments.
QUICK FACTS:
Produced by NICK PHOENIX
Approximately 11 Gigabytes of content
Solo instruments with unprecedented detail
Violin (true legato intervals) classical and gypsy style
Classical Guitar
Flamenco Guitar
Django Style Guitar
Spanish Steel String Guitar
Campana Accordion
Silvestri Accordion
Excelsior Accordion
Bandoneon (tango accordian)
Trombone (true legato intervals) classical and gypsy style
Cimbalom (Eastern European Hammered Dulcimer)
Flamenco Dancer foor stomps and castanets
Gypsy percussion